Jean Picker Firstenberg
Jean Picker Firstenberg served as president and CEO of the American Film Institute from 1980 to 2007, overseeing the development of AFI as one of America’s greatest national, cultural, and educational resources. She received an AFI Life Achievement Award for Service to the Institute and was named president emerita and a lifetime trustee.
James Hindman, PhD, has spent his career in cinema and performing arts, creating and leading professional and public education programs at major institutions. During his twenty-four years at the American Film Institute, where he served as co-director and chief operating officer, he was provost of the AFI Conservatory, which he nurtured through WASC accreditation.
Dana Gioia was appointed Poet Laureate of the State of California in 2015 by Governor Jerry Brown. An award-winning poet who has published five collections of poetry, Gioia served as chair of the National Endowment for the Arts from 2003 to 2009.
Patty Jenkins made history in 2017 when she directed her second film, Wonder Woman, becoming the first woman to direct a studio superhero movie and earning the biggest domestic opening of all time for a woman director.
David Lynch, born in 1946 in Missoula, Montana. Eagle Scout.
Bob Gazzale has served as president and CEO of the AFI since November 2007. He first joined the Institute in 1992, holding various positions including director of AFI programs in New York and director of AFI productions in L.A. Since 2003, he has been the writer and executive producer of the AFI Life Achievement Award telecasts. He also created the format for the AFI AWARDS, an annual almanac of excellence, as well as AFI Night at the Movies. Gazzale was a principal in the team that created, produced, and wrote the AFI’s 100 Years… series, which has driven millions of people back to the classics of American film.
Nick DeMartino is a Los Angeles-based media and technology consultant who advises companies on strategy, content distribution, strategic partnerships, and marketing. He is chairman of the advisory board and senior advisor for the Toronto-based digital media accelerator IDEABOOST, and advisor to POV Partners, a private investment and operating company in the entertainment and media sector. Previously, DeMartino was the senior vice president for media and technology at the American Film Institute, where he created innovative programs like the AFI Digital Content Lab, which incubated more than ninety multiplatform applications with the biggest names in media. He was named No. 3 on the PGA/The Hollywood Reporter’s list of Digital 50 and was twice named among the most influential in broadband by the L.A. Business Journal.
Patricia King Hanson
Patricia King Hanson served as executive editor and project director of the AFI Catalog of Feature Films from 1983 to 2009. Prior to coming to AFI, she was the associate editor of Magill’s Survey of Cinema, Magill’s Bibliography of Literary Criticism, and Magill’s Cinema Annual. She has contributed dozens of articles on film to magazines, including British publications Flics, Stills, The Listener, and Moving Pictures International, and was a reviewer for the British trade publication Screen International.
Larry Kirkman is a professor of Film and Media Arts and dean emeritus of the School of Communication at American University. His pioneering work in public-purpose media has encompassed documentaries, social advertising campaigns, strategic communications for nonprofits, digital journalism, and communication policy. He is an executive producer in the Investigative Reporting Workshop and senior research fellow in the Center for Media and Social Impact.
Emily Laskin has held leadership positions in nonprofit organizations in Los Angeles for over thirty years. She has led talented teams at the American Film Institute, the L.A. Philharmonic, Art Center College of Design, Sundance Institute, and USC Marshall School of Business. She is currently senior vice president at Art Center College of Design. At AFI, Laskin supervised broad-based offerings of public programs held across the country and a wide range of national publications via the AFI Press, and was instrumental in securing the gift from Apple that created one of the first computer labs designed to explore applications appropriate to filmmaking.
Featured in the Hollywood Times, the Pittsburgh Better Times, Hotspots magazine, 360Mag.com, InteractiveTV Today, and MysteriousRamblings.com
“Less a straightforward history and more a behind-the-scenes memoir, Becoming AFI also features photographs chronicling the last five decades of the institute.”
“Chock full of intriguing personal anecdotes and historical milestones, Becoming AFI is as much an easy to read narrative of the growth and development of a major non-profit as it is a useful compendium to page through.”
“A unique look inside this remarkable organization and the impact it’s had on entertainment industry. . . . The fact that Becoming AFI: 50 Years Inside the American Film Institute is written in memoir style prose offers a feel of being a part of the journey.”
“This book puts you directly behind the scenes for a story that began with a dream, overcame constant challenges, and evolved into the institution it is today.”
“As it celebrates its fiftieth anniversary, AFI stands as our country’s leading cultural and education institution in the history of American cinema. Becoming AFI is an admirable personal account of how that mission to nurture and protect the artistic and ethical standards of the film industry unfolded.”
—Henry Louis Gates Jr., author, scholar, historian, and filmmaker
“It is rare to find the story of a cultural institution’s birth and growth actually written by those who were on the firing line during the process. It’s even more rare to find the story written by authors who are incisive, honest, observant, and committed to telling it like it really was. In particular, Jean Firstenberg’s first-hand account of how and why the AFI was one of the 1960s government-funded arts institutions to survive is an excellent read. It’s also an insight into successful female leadership, something we still don’t have enough of today.”
—Jeanine Basinger, film historian-academic, author, and AFI trustee
“WELL DONE! This book tells a wonderful history and an important story about Hollywood, education in the arts, and the movie business. Brava!”
—Marsha Mason, actor, director, author, and AFI trustee emeritus
“AFI saved our film history. AFI celebrates filmmakers. AFI trains the next generation. Thanks to the NEA for creating the AFI. Thanks to Becoming AFI for telling us the fascinating story of its fifty-year history. And a big thank you to Jean Picker Firstenberg and James Hindman for documenting all of it! Here’s to the next fifty!”
—Edward James Olmos, actor and AFI trustee
“The AFI started out as an experiment verging on a mystery. But somehow it became an incubator for some of the great film talent of the late part of the twentieth century and the beginning of the twenty-first. This is a tribute to the dedication and insight of its leaders and its faculty and its Fellows.”
—Caleb Deschanel, filmmaker (AFI class of 1969)
“Documented here by the people who lived it, this is a remarkable tale of how a major institution, created out of whole cloth, wove itself into the American fabric.”
—Cokie Roberts, author and political commentator for ABC and NPR